The new normal in broadcast isn’t a single production model. It’s choosing the right model for each show.

Today’s teams can produce events using traditional trucks, cloud-based control rooms, REMI workflows, or studios. That flexibility is powerful, but it often leads to decision paralysis. Teams either default to what they’ve always used or chase newer models without matching them to real production requirements.

The goal isn’t finding the “best” model. It’s aligning the production architecture to the outcome.

At BMG, we’re platform-agnostic. We don’t sell a truck because we own a truck. We recommend what works.

1. The On-Prem “Fortress” (Traditional Studio/Truck)

Best for
High-stakes, complex multi-camera productions where latency cannot exist. Sports, dense entertainment, and executive-facing events.

Pros

Zero latency for IMAG and in-room screens
Full physical control of systems and signal paths
Proven reliability in constrained connectivity environments

Cons

High capital and logistics cost
Rigid footprint
Travel-heavy staffing

Reality Check

If a venue lacks reliable internet or fiber, a satellite-capable truck may be the only safe option
Mobile units require space, power, security, and access
Some executive teams simply want to see the control room on site, and that matters

remi truck entrance

2. The Cloud Control Room (Virtual Production)

Best for
Pop-up events, distributed talent, and fast-turn virtual programming.

Pros

Rapid scalability
Minimal on-site logistics
Usage-based cost model

Cons

Internet dependency
Latency impacts natural conversation
Increased pre-production coordination

Reality Check
Cloud production shifts cost from hardware to preparation. Every remote participant must be tested. Clear technical guidance is essential, and expectations must be managed. Without discipline, engineering hours grow quickly.

3. The Hybrid / REMI Model (The Sweet Spot?)

Definition
Cameras and audio are captured on site. Switching, graphics, replay, and monitoring run from a centralized control room.

Best for
Recurring corporate events, sports leagues, and productions that need consistency without heavy travel.

Why it works
Hybrid production delivers on-prem visual quality with centralized staffing efficiency.

Key advantages

Reduced travel and shipping
Access to national talent pools
Pre-built graphics and show elements inside a permanent NOC
Faster setup and repeatable workflows

control room remi

4. Staffing Considerations: Who runs the show?

The production model dictates the crew.

On-Prem requires travel, per diems, and on-site engineering
Hybrid allows operators to work from a centralized facility, improving retention and consistency
Familiarity matters. Crews who work in the same REMI environment reduce friction and errors

Freelancer availability still fluctuates, and onboarding into any workflow takes time. The difference is whether that learning happens once or on every show.

5. Cost Analysis: CapEx vs. OpEx vs. Utilization

On-Prem: High fixed cost, low variability
Cloud: Low fixed cost, high variability
Hybrid: Balanced

The tipping point
Pure cloud rarely wins on cost alone for complex productions. Pre-show testing, coordination, and troubleshooting often increase labor hours enough to erase savings. Hybrid models frequently deliver the best balance.

6. Scalability Test: The “Tuesday Webinar” vs. “The Super Bowl”

You shouldn’t use a sledgehammer to crack a nut, but you can’t build a skyscraper with a stapler. Enterprises need a partner who can scale the model up and down, not just the crew.

Truck Scaling: Adding cameras to a truck means adding physical gear and cost.
REMI Scaling: Scaling a REMI show essentially means “opening the spigot.” The transmission infrastructure is often already laid; you just add paths. Scaling is faster and avoids the freight/shipping lag.

Conclusion: Don’t Buy a Model, Buy a Result

There is no “Right” model, only the right model for this show.

Don’t just default to what you used last year. BMG is uniquely positioned to deliver On-Prem, Cloud, AND Hybrid. We help you choose the right tool for the job.