Producing One of the Largest REMI Broadcasts for Blue Origin’s Historic NG-2 Mission

BMG built a custom studio inside Blue Origin’s Rocket Park facility at Cape Canaveral.

The studio gave hosts and reporters a polished on-air environment located close to the launch activity. Instead of isolating the broadcast from the mission, the studio allowed Blue Origin to tell the story from inside its own facility while maintaining the look and control of a professional live production.

This was an important part of the production model. The studio kept the on-air presentation close to the mission while the technical backbone remained centralized through BMG’s REMI workflow.

BMG also built a dedicated video village for Blue Origin’s on-site directors, producers, and stakeholders.

The video village gave the team a central space to monitor feeds, follow launch timing, communicate with BMG’s NOC, and make real-time editorial decisions during the broadcast.

For a launch of this scale, the video village was critical. It allowed the production leadership to stay close to the rocket and the mission environment without requiring the full technical operation to be built on site.

BMG’s Network Operations Center served as the central production hub for the broadcast.

The NOC team managed the core technical execution of the show, including switching, graphics, replay, audio, video shading of incoming feeds, transmission, monitoring, and engineering support.

The team included production and technical leadership, a technical director, graphics operator, replay team, audio engineer, and engineer-in-charge, all working within a redundant production environment built to support continuity throughout the mission.

BMG integrated live feeds from Blue Origin facilities and mission-related locations across the country into one connected workflow.

This allowed the broadcast to include the rocket launch, Mission Control, manufacturing facilities, testing facilities, field reporters, scenic coastal views, booster coverage, and rocket-mounted camera feeds within one coordinated production.

Rather than building separate full production environments at every location, BMG used its REMI infrastructure to connect each source back to the NOC.

BMG designed the production with redundancy across the REMI infrastructure, signal paths, communications, and transmission workflow.

That redundancy allowed on-site teams, remote locations, and the NOC to stay connected throughout the broadcast. It also gave the production the reliability required for a live mission where timing, communication, and signal continuity were critical.