I’ve spent more than two decades producing live content. Rocket launches, congressional hearings, award shows, sports broadcasts, product launches. After all of it, what still stands out is how people engage with something happening right now versus something they can watch whenever they want.
People clear their schedules for live events in ways they rarely do for on-demand. They show up before it starts. They stay until it ends. They watch with others, online and in person. They talk about it as it unfolds.
The data supports that behavior. According to DemandSage, live streams generate 10 times more engagement than pre-recorded content and hold viewers for an average of 25.4 minutes, compared to 19 minutes for video-on-demand. That gap reflects a different viewing behavior, not a marginal one.
Convenience and intentionality are not the same thing. Both have value. But only one creates the kind of shared, time-specific experience that audiences organize their schedules around.
Why the Biggest Platforms are Betting on It
Netflix signed a $5 billion deal to bring WWE Raw to the platform starting in January 2025. Their Christmas Day NFL games drove 430,000 new subscriptions in a single surge, its third-largest subscriber spike since 2018. They now plan more than 200 live events per year.
Amazon Prime Video signed an 11-year agreement to carry NBA games starting in the 2025–26 season, including exclusive Friday night and Black Friday coverage, plus exclusive NASCAR Cup Series races and 30 WNBA regular-season games beginning in 2026.
Apple TV+ signed a five-year, $140 million-per-year deal for Formula 1 rights in the United States and removed the paywall on MLS, integrating all matches into the base subscription.
These are structural business decisions, not promotional moves. The logic is retention.
As streaming platforms have matured, keeping subscribers has become harder than acquiring them. On-demand libraries alone don’t lock people in. Live programming, especially sports and recurring events, creates habits. Audiences know something is happening at a specific time. They build a routine around it. That routine keeps them subscribed.
What This Means for Brands and Media Companies
The streaming investment in live signals something broader about how audiences want to engage with content.
Live content creates a direct relationship with the audience. When your organization produces live programming on a consistent schedule, audiences develop familiarity with the content. Familiarity builds trust. Over time, that trust turns into a loyal audience that watches, shares, and comes back.
Consistent live programming also compounds. A weekly live broadcast is a recurring appointment, not a library entry that audiences may or may not discover. Live content holds viewers longer, generates more real-time conversation, and creates shared moments that drive organic reach in ways cataloged content rarely can.

When Live Makes Sense, and When it Doesn’t
Not everything should be live.
Long-form content, documentaries, scripted programming, and editorial-heavy formats are built for on-demand. The production quality, pacing, and depth that those formats require don’t benefit from live constraints.
Live works best when the content is time-sensitive or tied to an ongoing conversation. Sports are the obvious example. Elections. Product launches where the reveal is the event. Earnings calls, where audience reaction matters as much as the announcement. Town halls, where the live exchange is the point.
If the content would lose something by being pre-recorded and edited, it belongs in a live format. If it benefits from editorial pacing and post-production polish, it doesn’t.
The mistake I see most often is organizations going live because they think they should, not because live serves the content. Viewers notice that disconnect quickly.
The Challenge of Producing Live at Scale
The investment numbers don’t capture the operational side. Live production at scale is difficult in ways that on-demand production is not.
There is no edit. There is no second take. When something goes wrong, the fix happens in real time, in front of the audience. That requires infrastructure, coordination, and redundancy that most platforms weren’t built to support.
Moving from on-demand to live is a workflow transformation: distributed teams, real-time signal routing, low-latency transmission, redundant failover systems, and production crews coordinated across multiple locations. Building that capability takes time and sustained investment. Maintaining it at scale is where most organizations underestimate the commitment.
The production partner matters as much as the platform. Technology handles the signal. Your production team handles everything else.
Live Still Does Something Most Formats Can’t
In a fragmented media environment, live content brings people together at the same moment. It creates a shared experience that audiences carry with them and talk about afterward.
Sports have always understood this. Major award shows, live specials, and well-produced corporate events still draw audiences in ways that comparably produced on-demand content does not.
The platforms are catching up to what live producers have known for decades: urgency and simultaneity are the product.
At Broadcast Management Group, we’ve spent the last 20 years focused on live. It’s what we were built for, and it’s what continues to drive how we approach production today.
Todd Mason is the Chief Executive Officer of Broadcast Management Group (BMG), a broadcast infrastructure and media operations company helping define the next generation of television production, live media operations, and broadcast network infrastructure in North America.
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