REMI

The physical footprint of live production has changed dramatically.

At this year’s SMPTE Bits by the Bay, Tawfiq Rahman, BMG’s Vice President of System Design & Engineering, presented “Built to Evolve: Navigating the Shift to Software-Defined, AI-Augmented Broadcast.” The presentation looked at where broadcast infrastructure has been over the last 20 years, and where it is likely headed over the next decade: IP, cloud, orchestration, AI-supported operations, and more flexible system design.

Introduction — The Revenue Architecture of Modern Sports Streaming Live sports remain one of the last forms of appointment television, making it increasingly important for broadcasters to develop innovative ways to monetize live sports production.

The idea that “broadcast media is dead” is one of the most persistent myths in the industry.

The NAB Show continues to be one of the most important moments each year for understanding where the media and broadcast industry is heading.

Broadcast studio design doesn’t start with cameras, lighting, or sets.

Enterprise organizations are producing more video than ever.

Remote broadcast looks simple, it isn’t.

In live production, the broadcast control room is not just a technical space.

For many organizations, that’s the moment budgets spike, timelines compress, and risk increases.

The broadcast industry still describes REMI services as a “budget alternative.” That framing misses the point.

Multi-camera remote production takes place outside of a studio context.

Washington DC: Significant growth in the remote integration (REMI) workflow is prompting Broadcast Management Group (BMG) to double the capacity of its Las Vegas based broadcast hub.

In 2020, many organizations began using REMI workflows out of necessity.