BMG’s February 2026 Rundown

Mar 2, 2026 

Your monthly recap of BMG's most notable projects, team contributions, and a preview of what's ahead.

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Washington Broadcast Center Studio Expansion

Broadcast Management Group is expanding the Washington Broadcast Center with a new phase of purpose-built studio facilities designed for organizations producing at scale.

This expansion introduces three new broadcast studios:

  • Studio B — 3,341 square feet
  • Studio C — 2,627 square feet
  • Studio A — 807 square feet

All studios feature 14-foot lighting grids and are supported by dedicated 16-person newsrooms, a purpose-built video podcast studio, makeup rooms, and production offices designed around real production workflow.

These facilities were built for broadcast and streaming networks, daily and weekly programming, sports productions, news operations, and enterprise teams that require consistency and reliability.

What makes this expansion different is integration. Each studio connects directly into BMG’s 62,000 sq. ft. Network Operations Center, providing centralized master control, REMI production workflows, media asset management, and global distribution as part of the ecosystem.

The objective was simple: design studio space that removes operational friction and supports sustained, high-output production.

Take the full studio tour and learn more about the Washington Broadcast Center expansion.

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Managed Services Update: UBS System Integration Project Complete

BMG has officially completed a major system integration and studio buildout for UBS at its New York City headquarters.

The project included a fully integrated broadcast studio, video podcast space, and control room designed to support UBS’s expanding enterprise video strategy. Each component was engineered to operate as part of a scalable ecosystem, not as a standalone production space.

The new facility connects directly to BMG’s Network Operations Center in Washington, DC, and the BMG Cloud Control Center™, enabling centralized production support, master control, media asset management, and long-term operational flexibility.

This infrastructure allows UBS to produce high-quality, broadcast-grade content while maintaining the scalability required for modern enterprise communications.

From system design and integration through staffing and ongoing operations, this project reflects a broader shift in how enterprise organizations are approaching content — building permanent, future-ready production environments rather than temporary solutions.

We’re proud to support UBS as they continue to invest in a next-generation enterprise broadcast model.

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Corporate Investor Day Production at Scale

February included a six-day corporate Investor Day production supporting senior leadership presentations and shareholder communications.

Investor Days are high-stakes moments. Public companies use them to communicate strategy, performance, and long-term direction directly to analysts and major shareholders. There is no margin for technical distraction, inconsistent execution, or production breakdowns.

Over six consecutive days, BMG provided broadcast-grade production, staffing, and workflow management designed to maintain consistency from opening remarks through closing sessions. The production required disciplined crews, tight coordination, and repeatable processes to ensure that quality did not drop as schedules extended.

As investor communications increasingly mirror broadcast standards, these events demand the same level of preparation, reliability, and execution as major live productions.

For organizations planning high-impact corporate events, production is not decoration. It’s infrastructure.

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College Basketball & Professional Hockey

February was defined by consistency.

Across college basketball and professional hockey, BMG’s Sports Packaging Division delivered live broadcasts from multiple venues nationwide, supported by centralized production inside our Network Operations Center in Washington, DC.

What makes that possible is not just technology. It’s people. On-site freelance crews operating cameras, managing game-day logistics, and supporting venue operations. Centralized production teams in DC handling switching, graphics, replay, audio, engineering, and transmission. Producers and coordinators aligning schedules across overlapping games and tight turnarounds.

Covering an entire month of competition requires more than a single successful show. It requires disciplined workflows and teams that can execute repeatedly without drop-off.

Our REMI-based model is built for that kind of scale, but it only works because of the experienced crews both on the ground and inside the NOC who bring the same focus to every game.

To our production team, engineers, and freelance partners across the country, thank you for the consistency, flexibility, and professionalism that made this month possible.

As conference play intensifies, we are proud to support our partners with infrastructure that scales and teams that deliver.

We’re Hiring

BMG is expanding our team with exciting new opportunities in NYC, Chicago, and Washington, DC! We’re currently hiring for several full-time roles, including:

  • IT Engineer – DC
  • Production Engineer – DC
  • Marketing Coordinator – DC
  • Xpression Designer/Operator – DC
  • Digital Content Associate – Chicago
  • Director of Talent & Booking – Chicago
  • Director of Talent & Booking – New York
  • Talent Booker – Chicago

If you’re passionate about innovation, thrive in a fast-paced environment, and want to work on high-profile productions with an industry-leading team, BMG could be the perfect fit. We offer competitive salaries, strong benefits, and the chance to make an immediate impact across live production, managed services, and system integration.

View our careers page

Freelance Roles We’re Filling

With our NOC fully operational, it will provide numerous opportunities for top freelance talent in the Washington, DC area. As BMG continues to expand and take on exciting new projects, we’re actively seeking skilled freelance professionals to join our team. We’re currently looking for experienced individuals based in Washington, D.C., in the following roles:

  • Technical Directors (Grass Valley Kayenne K Frame, Ross Acuity switchers)
  • 3-Play Operators DC, New York, Las Vegas
  • A-1’s (Yamaha DM7-EX and CL-5 Console experience and experienced at mixing 5.1)
  • Xpression Graphics Operators, DC, NY, and Las Vegas
  • Grass Valley k2 Dyno Replay Operators -DC
  • Video Engineers (Grass Valley LDX-86 WorldCam Cameras) DC
  • Freelance Broadcast System Installers
  • Freelance EICs (Engineer in Charge) DC/Las Vegas
  • Freelance Broadcast Design Engineers
  • Freelance Tech Managers DC/Las Vegas
  • Producer/Editors DC

If you or someone you know is interested in working with BMG, please encourage them to join our database!

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