Broadcast operations were often built only to meet immediate needs, such as getting a single show on air, and lack the inherent scalability required for today's demands.
The most common mistake in media operations is believing that a shiny new Media Asset Management (MAM) system will fix your broken workflow.
The broadcast industry still describes REMI services as a “budget alternative.” That framing misses the point.
For decades, satellite uplink has been the backbone of linear broadcast distribution.
The new normal in broadcast isn’t a single production model.
The promise of Cloud Master Control is compelling.
Cost Pressure Is Forcing Structural Change Across industries, organizations are experiencing sustained margin pressure and heightened scrutiny of operating costs.
Every organization that produces live or recurring video eventually faces the same question: Should we build an in-house production team, or partner with a managed staffing provider?
A Media Asset Management (MAM) system isn’t just software.
Choosing a video production company used to be fairly straightforward.
Many corporate studio projects fail.
Washington, DC – Broadcast Management Group (BMG) hosted a full-day open house and evening networking celebration on Thursday, September 25th, marking two significant milestones: the company’s 20th anniversary in Washington, DC, and the official launch of its new cloud-based Network Operations Center (NOC).
As video libraries grow, so does the chaos: lost files, duplicated storage, manual metadata entry, and siloed teams working in different systems.
For over two decades, Broadcast Management Group has helped bring some of the biggest live entertainment moments to life, from movie premieres, companion shows at the Oscars and Emmys, press junkets, cast interviews, and experiential events.
